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Miwa Komatsu’s work emerges from a heightened sensitivity to the invisible forces that shape our world. Growing up in close communion with nature, she encountered life and death not as distant concepts, but as vivid realities that left a profound imprint on her perspective.
These formative experiences nurtured a worldview grounded in the quiet belief that all living beings are intimately connected through a shared essence.
Her richly detailed compositions—inhabited by sacred beings and symbolic creatures—serve as thresholds between the seen and unseen, inviting contemplation of deeper realms of existence.
Through years of disciplined introspection and ceremonial practice, she has developed a creative philosophy The Great Harmonization, which seeks to bring coherence to opposing forces such as the physical and the metaphysical, the temporal and the timeless.
Komatsu’s work does not offer comfort through calmness, but instead captivates with a dynamic presence—revealing a universe where ancestral memory, transformation, and reverence for life converge.